There are many reasons for a print studio to use a RIP, and I won’t go into all of them here. Most probably think it simply provides view entire entry

© Craig Carlson

In May I had the opportunity to teach a workshop for Digital Stop in Berkeley view entire entry

For the third year in a row I have the pleasure of going back to Vermont and teaching a workshop at Cone Editions. This is always a great experience for me, wonderful people and an historically innovative print shop to visit. So much of the highest craft aesthetic for printmaking was set here. The dates are September 30th to October 3rd, 2008.
Tyler Boley

Iceland Farmhouse © Stuart Clugston

Vancouver BC artist Stuart Clugston has been bringing his work here view entire entry

© Anil Kapahi

Anil Kapahi was a co-founder of Custom Digital, eventually leaving to pursue view entire entry

Apprentice of the Dove © Ramon Deslauriers

Ramon Deslauriers is an illustrator whose work really took to the view entire entry

After Midnight 01 © Carolyn Frayn

Calgary CA artist Carolyn Frayn presented with me with this unique challenging project view entire entry

© Lauren Henkin

I met Lauren Henkin at a Cone Editions workshop I taught in 2007. We’ve tried view entire entry

trouvé le bleu 3 © Vicki Marie Stolsen

Vicki Marie Stolsen creates work that requires bold saturation and scale, view entire entry

Eastern Washington/Spring © Jeff Corwin

Jeff Corwin has brought in both B&W and color. For his B&W work, we’ve used view entire entry