After well over a year of testing various new papers and ink setups I now have much more finessed photo surface black and white output options available. While they do not mimic, each was designed to impart some of the qualities of lightly selenium toned silver papers, one a more neutral bromide like look, the other a more warmish chlorobromide appearance. view entire entry

Profiling services are now offered here to help customers prep and proof projects view entire entry

High Sierra Morning © Stuart Clugston

Stuart’s continuing fine work can be seen this month at Omega Gallery in Vancouver BC. view entire entry

I will be giving a talk, basically an overview of inkjet printing, view entire entry

WARNING! Obsessive discussion about dots of ink follows-

Film Scan _______ ABW 1440 _______ Quad 1440 _______ K7 2880 _______ Silver Contact

From my very first experiences with an inkjet printer I’ve been concerned view entire entry

Lake Washington Palimpsest: Montlake Cut © T. Ellen Sollod

Ellen Sollod brought me this very unique and evolving project. view entire entry

There are many reasons for a print studio to use a RIP, and I won’t go into all of them here. Most probably think it simply provides view entire entry

© Craig Carlson

In May I had the opportunity to teach a workshop for Digital Stop in Berkeley view entire entry

For the third year in a row I have the pleasure of going back to Vermont and teaching a workshop at Cone Editions. This is always a great experience for me, wonderful people and an historically innovative print shop to visit. So much of the highest craft aesthetic for printmaking was set here. The dates are September 30th to October 3rd, 2008.
Tyler Boley

Iceland Farmhouse © Stuart Clugston

Vancouver BC artist Stuart Clugston has been bringing his work here view entire entry